Tapes).” The work was not written down until 1976 (Buckinx 1972, 170).ġ7 April 1972. “machines themselves without anything given to them (e.g. Letter to Boudewijn Buckinx, in whichĬage described the essence of the first version of Variations VIII as San Francisco Conservatory of Music New Music Ensemble performed HPSCHD ġ6 April 1972. San Francisco, California, ProjectĪrtaud. New Music Ensemble performed HPSCHD presumably Cage was not in attendanceġ4 April 1972. Museum of Art, organized by Howard Hersh. Stefan Wolpe and was, with Hilda Wolpe, Milton Babbitt, and Elliott Carter,Īmong those who spoke ( In Memoriam S. Wrote How the Piano Came to Be Prepared.ģ April. Month in New York) and produced tapes, assisted by Joel Chadabe performed Albany, New York, State University of New Musicįor Amplified Toy Pianos performed Cage not in attendance.Īpril 1972. Witten, Wittener Tage für neue Kammermusik. Will Only Make Matters Worse) Continued 1971-1972.Īpril 1972. Performed Diary: How to Improve the World (You Philadelphia, Pennsylvania, Moore College Performed with Merce Cunningham andĭance Company: Pauline Oliveros, In Memoriam: Nikola Tesla, Cosmic Engineerġ7 March 1972. Walnut Street Theatre (825 Walnut Street). To Walkaround Time 52/3 to Landrover (9 March) Eventġ4-15 March 1972. Merce Cunningham and Dance Company: David Behrman, …For Nearly an Hour… Minneapolis, Minnesota, Walker Art Center (725 Performed with Merce Cunninghamĩ-12 March 1972. Performed with Merce Cunningham and Dance Company: Event #30.īradley University (1501 West Bradley Avenue). Peoria, Illinois, Lakeview Center for the Arts Performed with Merce Cunningham and DanceĬompany: 52/3 to Landrover Christian Wolff, Burdocks to Borst Park. Interviewed byĬatherine Kalbacher (Kalbacher 1972, 142, 157). Lecture demonstration (called Event in program) Cage’s participationĢ8 February 1972. University, concert organized by Alvin Lucier. _ to Signals Gordon Mumma, Telepos to TV Rerun (25Ģ5 February 1972. Performed with Merce Cunningham andĭance Company: Dialogue (with Cunningham, 24 February) from Musicįor Piano 4-19, Music for Piano 21-36/37-52, Music for Pianoĥ3-68, Music for Piano 69-84 to Suite for Five _ Week of Institute of Arts (5200 Woodward Avenue). Performed with Merce Cunningham and DanceĬompany: Event #29 (Pauline Oliveros, In Memoriam: Nikola Tesla,Ģ4-25 February 1972. Park (12 February) Gordon Mumma, Telepos to TV Rerun 52/3 to Landrover Christian Wolff, Burdocks to Borst Park (13 February ) Memoriam: Nikola Tesla, Cosmic Engineer to Canfield (complete) (9įebruary) 52/3 to Landrover Christian Wolff, Burdocks to Borst Park (11 February) 52/3 to Landrover _ _ Wolff, For 1, 2, or 3 People to Tread (6 February) David Tudor, Rainforestġ, 2, or 3 People to Tread (8 February) Pauline Oliveros, In Imitation (Piano) to Second Hand (5 February) Gordon Mumma, Telepos to TV Rerun Alvin Lucier, Vespers to Objects Christian To TV Rerun _ _ Week of _ to Signals Cheap To How to Pass, Kick, Fall and Run (as part of Event #26) (4 (2 February) David Behrman, …For Nearly an Hour… to Walkaround Time Ĭheap Imitation (Piano) to Second Hand (3 February) from Indeterminacy: New Aspect of Form in Performed with Gordon Mumma,ĭavid Tudor, and Merce Cunningham and Dance Company: 52/3 (first performance) to Landrover Christian Wolff, Forġ, 2, or 3 People to Tread (1 February) David Tudor, Rainforest to RainForest Gordon Mumma, Telepos to TV Rerun Christian Wolff, For 1, 2, or 3 People to Tread Ensemble performed Song Books.īrooklyn Academy of Music (30 Lafayette Avenue). Cologne, Westdeutscher Rundfunk, Musikĭer Zeit. (viola) Christoph Kapler (violoncello) (Burde 1972a Stuckenschmidt 1972a). I Dorothea Brinkmann (contralto) Peter Roggenkamp (piano) Claude Lelong Sculptor Mark Brusse and performances of his music by Eberhard Blum, Variations Berlin, Galerie Kleber (Uhlandstraße 184),Ĭage Objekt-’72, Objekt und Graphik von Mark Brusse Kompositionen von Cage (10-28 Not Wanting to SayĪnything about Marcel on exhibit (Anderson, L. New York, Martha Jackson Gallery (32Įast 69th Street). Kong International (Cage/Anonymous 1972).Ĥ-29 January 1972. Wrote Avertissement II (Text) and Postface (1946), and Margaret Wood (1943-2015), his agent mainly being Mimi Johnson.ġ972. When Cage had recourse to an agent, heĬhose Artservices, founded in 1972 by Jane Yockel (1926-1990), Mimi Johnson A John Cage Compendium: Chronology 1972-1992 (Last modified 1 January 2023)ġ972.
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